Iridescent Pigeons by Candace Walsh is available as a paperback or PDF (you can preorder multiple copies at a discount here). Candace’s poems in Iridescent Pigeons, her debut chapbook, serve as a restoration project by articulating the everyday unsaid of love, not just in romantic contexts, but as a friend, sister, daughter, dog parent, wildflower admirer, and mother. Amid free verse, Candace’s use of archaic poetic forms (the Sapphic stanza, ode, curtal sonnet, and cento) and homages to Virginia Woolf, William Wordsworth, and Gerard Manley Hopkins claims literary legacies that have historically excluded women and queer writers.
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This wry celebration of good, bad, ugly, thirsty, reverent, compassionate, unrequited, and fully granted love rouses new lexicons of connection and belonging. As poet J. Allyn Rosser observes of Candace, “Her poems—intensely, warily—celebrate familial, platonic, and romantic bonds, even as they ponder vestiges of the trauma love can leave behind.”
Candace is a queer poet, fiction writer, and essayist with Cuban and Greek ancestry and New York and New Mexico roots. She currently calls pastoral southeast Ohio home, where she lives in an old farmhouse with her wife, their two dogs, hundreds of books, and every kitchen and camping gadget you didn’t know you needed (most recent addition: cherry pitter). Iridescent Pigeons is for the black sheep, the eldest daughters, the overly ardent friends, the dissociated, the dispossessed, the ones surprised by love, and the eschewers of received wisdom. The unashamed divorcees, the lost cousins, the off-season travelers, and the cockamamie schemers. The late-in-life lesbians, those called “precocious” and “old souls” as children, the truth-blurters, and the ruminators. The Heathers with two mommies and the exvangelical pantheists, the brash empaths, and the shy extroverts. The family archivists, the stationery collectors, and the forgetful overcommitters. The underestimated and the overcompensators, and all those hungry for the everyday unsaid.
The cover art was created by Anna Chotlos, and cover design was by Laura M. André. Candace stated that she “wanted a pigeon with the right attitude, which [Anna] captured beautifully. The cover pigeon does not have low self-esteem. It is rocking its iridescent neck feathers and looking out at the world with intention. I love it and I love the journey it took us [Anna, Laura, and Candace] on together.”
You can find out more about Candace and follow her publication news on her website candacewalsh.com and Twitter, Instagram, and Facebook @candacewalsh. You can learn more about Candace in a conversation between the author and Melissa Nunez, Yellow Arrow interviewer.
yellowarrowpublishing.com/news/humble-glorious-interview-candace-walsh
Make sure you preorder your copy today.