FREEDOM is here!

Cover art by Amber Sliter

We are delighted to announce the release of the latest issue of the Yellow Arrow Journal, FREEDOM. A talented group of women and identifying writers submitted their creative nonfiction and poetry for Vol. IV, No. 2 of our biannual literary journal. Below is more detailed information about each writer. You can purchase a hand-bound copy here, sign up for an annual subscription here, download a PDF version here, or look for it on your eReader.

Each copy is lovingly hand bound and printed in small batches.

Thank you for supporting independent publishing.

Editor-in-Chief

Kapua Iao

Editors

Meredith Eilola, Eleanor Hade, Alexa Laharty, Mindy Stokes, and Gwen Van Velsor

Contributors

Katherine Anderson Howell is a 2018 Pushcart Prize Nominee from Washington, D.C. A mother of two children and a recovering academic, she currently studies esthetics, skin care, and makeup at the Aveda Institute in Washington, D.C. and is the editor of Fandom as Classroom Practice: A Teaching Guide (2018). Her poems can be found in Stillwater Review, Beltway Poetry Quarterly,e Account, Misfit Magazine, and Mojave He[art] Review among others. Other work is forthcoming in Whale Road Review. Follow her on Twitter at twitter.com/@genKatieOrgana.

Raga Ayyagari is an emerging poet who is inspired by nature, family history, and identity and enjoys learning from conversations with strangers. Her work has previously appeared in Stanford University’s Leland Quarterly Journal. She works as a public health research analyst in Washington, D.C. and enjoys both technical and creative writing.

Linda M. Crate’s work has been published in a myriad of magazines both online and in print. She has six published chapbooks: A Mermaid Crashing Into Dawn (Fowlpox Press - June 2013), Less an A Man (The Camel Saloon - 2014), If Tomorrow Never Comes (Scars Publications - 2016), My Wings Were Made to Fly (Flutter Press - 2017), and splintered with terror (Scars Publications - 2018), more than bone music (Clare Songbirds Publishing - 2019), as well as one micro-chapbook Heaven Instead (Origami Poems Project - 2018). She is also the author of the novel Phoenix Tears (2018).

Margie Deeb’s passion for beauty is the heartbeat of the art she creates and writes. She has published five books on color and beading, one of which the Library Journal voted the Best Craft How-To book of 2009. She has published countless print and digital articles on design and color and is a professional art director, graphic designer, illustrator, and color expert. She conducts design, color, and writing workshops for artists online and throughout the United States and Canada. Her art has been featured in galleries across the United States and in many books and publications.

Jenny Fraser is an artist from the east coast of Australia. She has a background in art and media education spanning over two decades. After completing her undergraduate degree, she taught art and film and media in high schools. In 2009, she then completed a Master of Indigenous Wellbeing at Gnibi, Southern Cross University. In 2017, she also graduated with a Creative Research PhD in ‘The Art of Healing and Decolonisation’ through Batchelor Institute in the Northern Territory. Her current focus is in native foods, body work, floral arts, and being able to use their raw energy to benefit healing and to help people to help themselves.

Betsy Housten is a Brooklyn-based queer writer and massage therapist. She earned her MFA at the University of New Orleans where she won three awards and served as Associate Poetry Editor of Bayou Magazine. Her work appears in Rogue Agent, The Hunger,Lunch, Bone & Ink Press, Longleaf Review, and elsewhere, and has been nominated for Best New Poets, Best of the Net, and the Pushcart Prize. Find her at betsyhoustenwrites.com.

M. Kanani Milles is a Native Hawaiian writer who has been living and gardening in Connecticut and New Hampshire since 2003. She shares a small plot of land (stolen from the Quinnipiac) with her husband and two young daughters, a dozen chickens, two goats, and a hive of bees. She is writing her way to healing as her mind–body struggles to come to terms with a stage IV cancer diagnosis.

Ann Quinn is the author of the poetry chapbook Final Deployment (Finishing Line Press - 2018). Her poetry has appeared in a wide variety of publications including Potomac Review, Little Patuxent Review, Broadkill Review, Haibun Today, and Snapdragon, and is included in the anthology Red Sky: Poetry on the Global Epidemic of Violence Against Women. She is a Pushcart Prize nominee and her poem “Three Years after my father’s Final Deployment to the Gulf of Tonkin” won the 2015 Bethesda Literary Arts Festival poetry contest, judged by Stanley Plumly. Ann is a graduate of the Pacific Lutheran University MFA program. She teaches reflective and creative writing and music and lives with her family in Catonsville, Maryland. Please visit online at www.annquinn.net.

Amber Sliter is an artist and activist living and creating in Buffalo, New York. Amber studied painting and art history at the University at Buffalo where she received several awards and scholarships. The Rumsey Scholarship funded participation on a Minoan archaeological dig in Crete, Greece. Her art explores natural and synthetic relationships, relating to her experience as a woman living in the Anthropocene era. Her work ranges between sculptural paintings, installations, and murals to activist prints and performances. Amber is currently apprenticing in a woman run woodworking shop.

Ashley Stimpson is a freelance writer based in Baltimore, Maryland. Her work has appeared or is forthcoming in Longreads, Johns Hopkins Magazine, Potomac Review, Little Patuxent Review, and elsewhere. See more of her work at www.ashleystimpson.com.

Sarah Van Sciver is a freelance writer, artist, mother, personal chef, and a FEEL practitioner residing in Baltimore, Maryland. Her passion for writing stems from the healing and recovery from PTSD she has experienced through working with horses. She is currently working on a memoir about the healing effects horses have on humans who experience trauma. To find out more about Equine Experiential Learning, to view her artwork, and to read other essays, please visit https://untetheredmare.com/.

Nancy Wade is a Colorado native who has lived in Boulder since 2002. She earned a BA in Communications in 2000 and an MA in Spiritual Memoir in 2009. Her career includes 15 years in legal word processing and 20 years as an employment administrator in the Human Resources Department of a scientific research organization. Retired since 2015, she enjoys spending time with her husband, two grown children, two stepsons, and especially with her two lively grandsons, ages 6 and 9. In retirement, she has more time for reading and writing, mostly in the memoir genre.

Roz Weaver is a spoken word performer and internationally published poet living in England. She has been published in a number of journals, zines, and anthologies, including most recently with Snapdragon, Voice of Eve, and Cultivate. In 2018, her work was displayed at the annual Rape Crisis UK Conference, as well as being displayed and performed at two further exhibitions in London— ‘Th Sunlight Project’ and ‘Testimony,’ the latter as part of a conference hosted by UN Goodwill Ambassador Emma Watson. More recently, her work has been on exhibit with London based ‘What You Saying?’ and performed at Leeds International Festival.

Matilda Young is a writer working for a civil rights nonprofit with an MFA in Poetry from the University of Maryland. She lives in Washington, D.C. with a poet, an environmental lawyer, and an angry ginger cat. She has been published in several journals, including Sakura Review, The Golden Key, and District Lit.