Meet an Artist: Jeanne Quinn

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from the 2021 art series

 

Storytelling takes place in many different forms, not just writing. When an artist shares a piece with others, they also share a piece of who they are with their audience. We see the expression of their aesthetic, culture, and identity woven into their work.

This is definitely visible in the artwork for Yellow Arrow Journal. During each journal submission period, we ask for creative nonfiction, poetry, and cover art that reflects a chosen theme. We get incredible artwork created in various media and choose the one that best represents the theme. 

To celebrate our talented cover artists, we will be releasing a series of blogs to share their stories and the importance that art has on their lives.

The first artist that we are featuring in our Art Series is Jeanne Quinn. Jeanne creates theatrical installations that attempt to remind us that everything is ephemeral. She studied art history and baroque music performance at Oberlin College, and earned her MFA in ceramics from the University of Washington. She has exhibited widely, including Denver Art Museum, the Milwaukee Art Museum, the Kemper Museum for Contemporary Art, and Art Basel/Design Miami. She has been awarded residencies at the MacDowell Colony, the European Ceramic Work Centre, Zentrum für Keramik Berlin, and many others. She is a professor and chair of the Department of Art and Art History at the University of Colorado. Her art piece, “Lace Drawing,” was seen on the cover of Yellow Arrow Journal, (Re)Formation, Vol. V, No. 3, Fall 2020.

You can find Jeanne at jeannequinnstudio.com or on Instagram and Facebook.

Jeanne recently took some time to answer a few questions for us.


Who inspired/influenced your journey as an artist the most?

I saw Anne Smith’s work in a show in Boston in 1990. I was incredibly inspired by what she was doing with surface decoration on ceramics and shelves and took a class from her at a local ceramics studio. I ended up becoming her studio assistant, and she served as a mentor, getting me started studying at the University of Colorado and then at the University of Washington, in ceramics. There have been many important teachers along the way—most importantly, Betty Woodman—but I never would have gotten started without Anne’s encouragement and smarts in navigating the journey. You can find Anne on Instagram or at annesmith.net.

What inspired the piece that you created for Yellow Arrow?

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My mother sent me an article from the Washington Post that included a photograph of a beautiful piece of lace. She knew I had always been interested in lace, and we had a small collection of pieces tatted by my great-grandmother, which she passed on to me. The photograph she sent inspired me to start drawing lace, which I’ve done continuously ever since. I love translating something so crafted and material into an image, since, as a ceramicist, I usually do the reverse.

What projects are you currently working on?

I’m making an installation, Dust And A Shadow, for an exhibition at the Centre des Arts Visuels in Montreal. It’s my response to the isolation and general experience of Covid. I started with a drawing of some baroque architectural moldings and turned those into dimensional, linear ceramic wall sculptures. The shadows of the pieces are rendered in clear vinyl adhered to the wall, so they are both shadowy and reflective.

Thank you, Jeanne, for answering our questions. You can purchase a paperback or PDF of (Re)Formation in the Yellow Arrow bookstore, along with other Yellow Arrow publications.

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The 2021 art series was created and put together by Marketing Associate, Michelle Lin. Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. Like us on Facebook and Instagram for news about the next journal submissions period. Thank you for supporting independent publishing.

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Poems About the Feelings We Don’t Talk About: A Review of Gigi Bella’s Big Feelings

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Creative Nonfiction: Nature Writing