Celebrating EMERGE: Coming Into View and Pandemic Stories
By Brenna Ebner
For this year’s Yellow Arrow Publishing value, board/staff picked EMERGE. It was a decision made to celebrate a new year after we all faced such uncertainty and turmoil throughout all of 2020. We felt the start of 2021 was especially important in this way and were grateful to be able to turn over a new leaf and welcome new times filled with opportunity and optimism. As we have progressed through the year, we have progressed as individuals and as a community. EMERGE spotlights the growth and change we have made be it from this past year or before.
With this yearly value, we chose to call upon Yellow Arrow staff and authors to spotlight their growth and change in our EMERGE zines. EMERGE: Pandemic Stories focuses on the ways in which our staff and authors have dealt with the uncertainty and fear from Covid-19 and the ways they have prospered from overcoming this daunting global challenge. Their experiences are ones many of us can relate to and ones that can open our eyes to the ways Covid-19 has impacted each of us differently as well. EMERGE: Coming Into View similarly focuses on change and growth many of us have had in facing the pandemic and racial unrest while also focusing on themes outside of this year. The stories included take place at many different times and touch on family, self-empowerment, and racial identity as well.
Both zines are now available through Yellow Arrow’s bookstore as a PDF (for a donation). And on our YouTube channel, we just released prerecorded videos of several EMERGE authors reading their incredible pieces. Please show your love and support for our authors.
To celebrate the release of both EMERGE zines, we are sharing Aressa V. Williams’ piece “Good Company” from EMERGE: Pandemic Stories. Aressa shares her experience in turning her time in quarantine into something productive and rejuvenating for herself. She delves into her passion of creative writing as a tool to help in her self-reflection and a way to find solace within herself. Her newfound practices of mindfulness, boundaries, and healing speak to the ways in which we are able to transform even when stuck at home. Aressa’s transformation during quarantine is inspiring and uplifting as it gives hope to each of us to be able to do the same kind of EMERGING even in the face of great setbacks and loss. EMERGE celebrates not only these recent transformations but many others as well. With our zines, we hope to encourage each of us to continue growing, changing, and EMERGING.
“Good Company” by Aressa V. Williams
Solitude during the pandemic gave me time for self-examination, a soul check. Like so many, I took freedom for granted. Before Covid, my retirement days were busy. Tutoring, shoe shopping, dining with friends, attending matinees, coming and going as I pleased. But since I love my peaceful, safe abode, I did not mind the national time-out at home. I created a rhythm and flow to make the best of my seclusion. In fact, the quarantine was an unexpected chance for reflection, meditation, and creative writing.
I thought about foolish mistakes made in the past. Dropping by coworkers’ homes without calling or being invited. Complaining to my supervisor’s boss without first talking to my supervisor. Hurting a close friend’s feelings. “What? Pregnant again!” Too many unfiltered comments, missteps, wrongdoing. Why didn’t I know better? I imagined going back in time to apologize to the victims of my venom. Scene by scene, I revisited people who were disrespected, offended. One by one, I asked for forgiveness. Visualizing warm hugs in sunlight, I hoped they felt my sincerity.
Daily meditations were a priority for frontline workers, our political leaders, Covid patients, and me. In addition to prayers, I experimented with “distant healing,”—sending energy and well-wishing to those in need far away. I managed to keep my gratitude journal up to date while evening news reported pandemic deaths, racial injustice, and political discord. When bad news and pessimistic friends overwhelmed me, I fasted from negativity. I did not answer the phone, nor check text or email messages, nor listen to the news. Instead, I read inspirational articles, listened to love songs, watched black-and-white movies, walked wearing my mask, and engaged in positive self-talk. The personal time-outs were rejuvenating.
And home was my writing retreat. I took advantage of several creative writing opportunities and several heartaches. Between drafting, revising, and editing four poems and one essay, I lost eight people. Three family members and a close friend died of fatal diseases; four classmates died of Covid. I was forced to reconsider thoughts about death. Old sayings like “we are only visitors here” and “tomorrow is not promised to you” did not comfort me. Consequently, journal writing became my grief therapy. Composing poems, obituaries, and letters to honor the lives of loved ones eased sadness. Family and friends (and I) were grateful.
All in all, my creative retreat proved fruitful as all writing submissions were published. More importantly, months of reflection, meditation, and journaling introduced me to a new role. A recluse with a purpose. Aloneness is good company.
Brenna Ebner is Yellow Arrow’s CNF Managing Editor. She previously interned with Mason Jar Press and was Editor-in-Chief of Grub Street volume 69 at Towson University. She also does freelance editing on the side and is slowly making her way through a CNF reading list.
Aressa V. Williams, a retired Washington, D.C. public school teacher and a retired assistant professor of English at Anne Arundel Community College, is also a teacher consultant, creative writing presenter, and poet. She is an active member of Pen in Hand, Poetry X Hunger, and Poetry Nation. Equally important, she accepted the new role as a Literary Leader for the Prince Georges County Arts and Humanities Council. In the sixth grade, the aspiring message-maker wrote her first book of poems to earn a Girl Scout badge for Creative Writing. Today, Aressa has three self-published books, Soft Shadows, The Penny Finder, and most recent Pancakes & Chocolate Milk. Her inspiring poems strike universal notes about family, friends, resilience, and hope. Aressa believes that poems are word snapshots of our experiences. Moreover, she defines poetry as word music. The word-weaver enjoys walking at School House Pond, journaling, and interpreting dreams. Other interests are reading short stories, posing poll questions, and sky-watching. A good day for Aressa includes morning meditation, afternoon tea, and if possible, a nap. The poetess is the proud mother of Aaron Coley and grateful grandmother of Aressa Coley.
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Every writer has a story to tell and every story is worth telling. Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts.