.Writers.on.Writing.

Get to know our authors, the foundation and heart of Yellow Arrow Journal, and what writing means to them through our monthly series.

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.W.o.W. #15

Yvonne

What does your inner writing voice tell you?

“Trouble. Trouble. Toil and bubble.”

How did you first publish your writing and what was it?

The Towers, the annual literary journal of West Catholic Girls High School, published the second poem I had ever written when I was in the 10th grade. The next year it published my first sonnet; I did not write another one until 50+ years later. The first publication that paid me for a poem was Ms. Magazine [where she became poetry editor 1974–1987] in 1972.

What word do you find yourself using most often in your writing?

I don’t know. I keep my thesaurus handy. Maybe the pronoun “she.”

Yvonne’s poem, “BEHIND CLOSED DOORS: The Lena O. Smith House,” about the incredible civil rights attorney, Lena O. Smith (1855–1966), was included in Yellow Arrow Journal’s Vol. V, No. 2 issue HOME. You can find her companion poem, “Ballad of the Arthur and Edith Lee House,” in HOME: An Anthology by Flexible Press (2020), reprinted with permission by Winning Writers. For more information about Yvonne, visit her website iwilla.com.

.Writers.on.Writing.

Get to know our authors, the foundation and heart of Yellow Arrow Journal, and what writing means to them through our monthly series.

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.W.o.W. #14

Hannah Rousselot

Who is your greatest writing influence?

I love Andrea Gibson. I saw them perform when I was a student at Smith College and it was a momentous experience for me. It was the first time I saw another poet speak so openly about mental illness and queerness, things that are a huge part of my life as well. They gave me “permission” to write about the hard stuff.

What does your inner writing voice tell you?

Trust yourself.

Describe an early experience where you learned that language has power.

Since I’m bilingual, I’ve always been aware of the duality of language: it’s something used to communicate, but you can never communicate what you are thinking exactly. It’s an approximation based on the vocabulary and language you have at your disposal. Yet, language is one of the only ways we have to connect with those around us. I discovered this firsthand after I wrote my very first poem about my hamster’s death. Even at that young age, writing felt very natural to me, and I haven’t stopped writing since.

Connect with Hannah (she/her), a queer French-American poet, on Twitter or Facebook. Her poem “displaced” was featured in Yellow Arrow Journal’s Vol. V, No. 2 issue HOME.

.Writers.on.Writing.

Get to know our authors, the foundation and heart of Yellow Arrow Journal, and what writing means to them through our monthly series.

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.W.o.W. #13

Elizabeth Spencer Spragins

What does your inner writing voice tell you?

The voice in my heart insists that I share the beauty and mystery of landscapes with those who might never experience them except through my words.

What is a book you wish someone would write?

I would love to hear the voices of trees captured in a poetry collection.

Where do you normally find yourself writing?

I have a studio where I spend most of my intentional writing time. However, elusive lines that flit around the edges of my mind often keep me awake until the wee hours. For that reason, I keep a notepad, pencil, and flashlight by the bed. Fragments of poems also take shape while I’m swimming my daily mile. Consequently, I have been known to scribble lines on paper towels in the locker room.

You can read Elizabeth’s “Journeys,” which consists of three short reflections on places meaningful to her, in Yellow Arrow’s just released HOME issue (Vol. V, No. 2) and listen to her, along with several other HOME authors, at our Home Sweet HOME virtual reading June 5, 6-7 p.m. For more information about Elizabeth, visit authorsden.com/elizabethspragins.